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Posted on September 21 2021
Kia ora! I am a Pākehā New Zealander of English, German and Highland Scottish origin who has lived in 10 cities in 6 countries and worked in a wide range of occupations. I have a PhD in history from the Australian National University (2015) where I wrote a thesis in the National Centre of Biography about the New Zealand-born Australian
Posted on September 21 2021
MA (distinction), Dip Arts, BA Director Art & Heritage Services – art historian, curator, lecturer and writer. RECENT PUBLICATIONS In Plain Sight: Margaret Frankel, the overlooked foundation artist of The Group, Bulletin, no 205 (2021) Christchurch Art Gallery, https://christchurchartgallery.org.nz/bulletin/205/in-plain-sight Elizabeth Lissaman: New Zealand’s Pioneer Studio Potter, Rim Books (2019). Commissioned by Marlborough Museum. LECTURER Art in the Great Outdoors –
Posted on September 21 2021
Hello. I am a Dunedin-based historian but tend to travel to where the work takes me. I have an MA in history from Otago University and a Diploma in Journalism from Canterbury University. I am the author of 30 non-fiction books on New Zealand history, biography, culture and society. I am always looking for interesting new projects, large and small,
Posted on September 21 2021
I am an experienced heritage consultant with a nation-wide practice that specialises in cultural heritage identification, assessment and policy advice. With a PhD in art and architectural history from the University of Canterbury, I lectured at the University of Waikato for ten years before establishing Heritage Consultancy Services in 2006. My work ranges from large-scale district plan review inputs for
Posted on September 10 2021
I am a qualified heritage professional with interpretation, research, collections management and curatorial experience at Te Papa, the New Zealand Police Museum, Wellington City Council’s Heritage Team and The Treasury Research Centre and Archive in Thames. I am passionate about exhibition and public programme development, heritage interpretation and increasing access to museum and archive collections. I am a PHANZA Executive