© PHANZA 2021
Site by Pixel Boom
Posted on September 21 2021
I am passionate about recording the stories of people, families, local communities, businesses and not for profit /community organisations. I am experienced in oral history interviewing, research, writing and publishing. I work with graphic designers, editors and publishers. I studied New Zealand, Australian and Pacific history at Victoria University as well as theatre, and women’s studies. I also have a
Posted on September 21 2021
Posted on September 21 2021
Michael Brown has been researching New Zealand music and adjacent topics for twenty years. He currently works as Curator, Music at the Alexander Turnbull Library in Wellington. His areas of research have included folksong collecting, tramping songs, community singing, the piano in New Zealand, trade union and socialist singing, and the ‘Maori strum’ guitar style. Recently he has written about
Posted on September 21 2021
I have worked for over thirty years in the GLAM sector as both an archivist and museum curator. I have a passion for history and for sharing my knowledge with others. Having completed my MA, where I looked at social aid I am now working on my doctorate, fun times! Presently I am involved with assisting schools in formulating and
Posted on September 21 2021
As a historian, researcher, writer, literary scholar, linguist and translator, my work focuses on the tensions at the intersections (both geographical and textual) of contact between Indigenous and settler populations in the colonial and postcolonial Francophone and Anglophone worlds. I am especially interested in creolisation and anti-colonial resistance and my writing reflects critically on trans-imperial networks, horizontal mobilities, slavery and forced
Posted on September 21 2021
I have been working in the heritage sector since 2003, both here in Aotearoa New Zealand and in London. I have a BA(Hons) and MA from the University of Otago in Anthropology. I currently work as a Senior Advisor (Treaty Names) for the New Zealand Geographic Board Ngā Pou o Taunaha. From 2012 to 2022 I worked for Heritage New
Posted on September 21 2021
Hello. I am a Dunedin-based historian but tend to travel to where the work takes me. I have an MA in history from Otago University and a Diploma in Journalism from Canterbury University. I am the author of more than 30 non-fiction books on New Zealand history, biography, culture and society. I am always looking for interesting new projects, large
Posted on September 21 2021
Dr Grace Bateman (PhD Otago, History). Information about my thesis research is here: http://otago.ourarchive.ac.nz/handle/10523/4752 Based in Dunedin. I am available for research into a diverse variety of aspects of society and culture. Basically, you name it, I can do it. As a Xennial, I combine the best of Generation X and Millennial thinking and experience. I have a wide range
Posted on September 21 2021
Posted on September 21 2021
I volunteer at Devonport and Birkenhead Museums, as well as Auckland Council Archives, and am on the committee at Devonport Museum and North Shore Historical Society. I was formerly a librarian from 1975 to 2017 and graduated with MA Hons in history from the University of Auckland in 1974. I also write a monthly local history column for ‘Channel’ magazine
Posted on September 21 2021
Alison is a Heritage Assessment Advisor for Heritage New Zealand Pouhere Taonga and historian for the company Museograph. She has had over 20 years’ experience in archives and research and recently completed the first digital Masters of History at University of Otago in 2020. She has held the portfolio for website and social media on the National Council of Archives
Posted on September 10 2021
I am a qualified heritage professional with interpretation, research, collections management and curatorial experience at Te Papa, the New Zealand Police Museum, Wellington City Council’s Heritage Team and The Treasury Research Centre and Archive in Thames. I am passionate about exhibition and public programme development, heritage interpretation and increasing access to museum and archive collections. I am a PHANZA Executive